2 poems by stephen mead
Headstrong
After cancer took her looks,
Aunt Aggie used dignity to keep whatever was left.
Me too, not-so beautifully intact with bad nerves
& anger in pure resolve.
How certain is consolation?
Is hope for the privileged?
Knowing I was headstrong, a warning given
right from the start, I came to this beach
with one deranged cat, old underwear
& a sun-burned nose.
By evening the cabin’s towels had a sea smell
& dampness leaked through this creaking wood.
Were we swelling just the same?
I could taste the air’s salt & wanted most
just some shore not haunted by fists.
You are too vulnerable, you said, & how
could I disagree, stealing away
from love’s invasion by holding solitude
like a snake, apologizing too much, (sorry, sorry),
& leery of the peace to be discovered,
some calm, a new belonging...
Yes, I gave rage the sack, kissed fingertips & pressed
them to your eyes. Why didn’t the gesture
leave scorch marks, & why, watching surf,
did I find myself opening more
while you packed to leave?
Addiction, It Seems
If only to cure you of your hurt & wind up bent over on elbows & knees
to let you fall on my back, pray for rescue,
that one of us will know salvation.
Can’t go back to that which my key of need fit so well-----
the pity, the pain after I broke like a mirror
& swept the shards of my face into the suicide’s locked wards.
Can’t return except to pack, tearless for what love wanted to go through
for the worse, the better, when it all became a sweater without sleeves,
only buckles, belts, ties...
Am I thinking for myself yet after legions of the well-meaning
bickered in their decisions while moving me out?
I do not know now, living medicated beyond reproach
though your face finds my dreams.
It slips in battered, bruised, swollen, stapled: you nearly killed
while not calling, coming to see the me who was hospitalized,
busy with a drugged-out, picked-up trick instead, another Mr. Wrong.
In hospital, hospital, both of us lost, our apartment, a crime scene
with blood spatters on my art, & where are you now?
Curing myself, keening to the D.T.’s of missing,
the worries of old, that need to help, in guilt to the hilt,
I cannot return, baby, to where we first learned to crawl.
Stephen Mead is a retired Civil Servant, having worked two decades for three state agencies. Before that his more personally fulfilling career was fifteen years in healthcare. Throughout all these day jobs he was able to find time for writing poetry/essays, and creating art. Occasionally he even got paid for this work. Currently he is resident artist/curator for The Chroma Museum, artistic renderings of LGBTQI historical figures, organizations and allies predominantly before Stonewall, The Chroma Museum